Water Themed Charater Line Art Base Body Drawing

Fabric and folds tin take all sorts of forms depending on the softness of the material and the shape of the body. This illustrated tutorial by comic creative person miyuli covers basic concepts and approaches for drawing fabrics of all kinds.

Folds depend on the course they autumn on. They are not universal. In that location are many unlike types and factors that influence them.

There is no single rule on how to draw folds—The best way to understand mantle is to do as many studies of folds equally you can. The more realistic you want to draw and pigment folds, the more references y'all will need. Understanding some common principles will brand it possible to draw them assuredly in a more than stylized way.

I've collected some pointers and commonalities here that I've come up across so far.

Materials

Information technology is very important to consider the materials that you describe when dealing with folds. They all take their very ain characteristics that help to decide where to put the appropriate folds. Their texture dictates how diffused the shadows are.

Thicker cloth has wider folds that are ordinarily less visible.

Hard materials are unremarkably pulled more at the angle area or at the seams.

Soft and thin textile produces the virtually folds, especially around the angle areas.

The amount of folds as well depends on how heavy the fabric is and what kind of material it is made of. When drawing fabric it is a adept thought to consider how thick/thin, difficult/soft, heavy/light and smooth/textured the material is beginning.

Heavy material causes folds of a different volume and dissimilar width. Information technology is as well more than idle and shows fewer folds even when moving.

All clothes accept their own arrangement of parts, which heavily influences the formation of folds.

It's skilful to familiarise yourself with common placements of seams. You don't need to describe them all, only it is ameliorate to have a good fundamental knowledge of the construction.

Folds tend to pull at prominent seams, especially on clothes like suits where the transition between seams is quite noticeable at the shoulder.

Sweaters usually have their arm seams much lower and the folds don't pull at them as much.

Clothes with a wide cut show unlike folds than clothes with a narrow cut. A tight cut follows the form of the torso and wraps around it. Wide clothes evidence a lot of droopy folds that go from the pulling signal towards the footing.

Dress are often designed with folds or lack thereof in mind.

Fitted fabric is designed to look elegant with equally few folds as possible. When apparel are likewise tight or too loose there are more folds that give a less elegant appearance of the clothing, especially when looking at the silhouette.

Worn-out fabric tends to pucker more than new or well-maintained fabrics.

Note: When drawing clothes and folds, it tin help to consider what cloth fits the character's personality showtime.

External influences

Folds can be heavily affected by current of air or water.

Moisture textile acts differently from dry cloth. It tends to stick more than to the course underneath. The water makes the calorie-free textile a lot heavier, and then it does non movement as hands anymore. Thin fabric becomes see-through.

Motion

When the torso is resting the cloth is usually dragged down by gravity. More prominent droopy folds announced the wider and lighter the fabric is.

When aptitude the fabric is pressed together and creates hollow shapes that vary in size.

At that place are more bumps with more narrow textile. Wide material tends to squish together with fewer folds.

The fabric adapts to the forms' movement. Folds commonly follow the twist. It tin can be very helpful to emphasize the movements.

Notation that the lighter and thinner material in the example to a higher place shows fewer folds since the arm is however by and large resting.

The arms heavily dictate the pulling areas where folds emerge.

Opening a jacket absorbs some of the pulling when the arms are raised.

Pants

The fabric of the pants is supported at the waistline.

Pants kickoff wider and narrow down to the knees because they adjust to the bone structure of the legs.

With narrow pants, creases are ordinarily visible at the knees.

When drawing bumps in the fabric it'southward good to show their origin and volume. It does make a visual difference when you can imagine the folds in a 3-dimensional infinite.

From the back, you can see folds forming under the barrel region that get upwards to the hip.

The folds at the knees are likewise visibly pulled by the hips from the back view.

In general, when the trunk is just standing and resting, there are less dynamic folds.

When a leg is lifted, the articulatio genus becomes the strongest pulling point.

Exist careful of the forms that the pant legs create when the leg moves.

Shadows and Highlights

Depending on the thickness of the material the shadows around the folds announced slightly dissimilar.

When shading folds, it's good to use a combination of soft and difficult edges.

When painting pay attention to how smooth and soft the cloth is. The smoother it is, the more than information technology reflects light and has a brighter highlight. Rougher and more textured materials diffuse calorie-free.

The darkest area is ordinarily where forms are pressed together and an occlusion shadow appears. This likewise applies to very deep creases where calorie-free does not accomplish.

Hither are some quick tips that I noticed while shading materials.

The shading, similar the width of the folds, varies between soft edges or highlights depending on the material, so it'southward good to familiarise yourself with as many materials as possible to build upward a rich visual library.

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Source: https://www.clipstudio.net/how-to-draw/archives/157926

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